Thomas Raddall Selected Correspondence: An Electronic Edition


About the electronic version

Copyright 2000. Dalhousie University.

PRINT SOURCE: Thomas Raddall Fonds, Correspondence. From Thomas Raddall to Edith Fulton Fowke, 16 May 1975. MS-2-202 41.25.

Subject Headings

Summary

In a response to a query from noted Canadian folklorist Edith Fowke about his sources for sea chanties, T. H. Raddall relates when he first heard chanties sung, the major published collections he consulted, how he interviewed old sailors, his role in getting Liverpool resident William Smith to record his memories of the songs he had heard performed, and the discovery of a notebook full of songs sung in a singing contest at the Hatt family forge in Liverpool during the 1880s. For the Smith and Hatt materials, Raddall refers Fowke to typewritten copies located in his papers at the Dalhousie University Archives. He concludes by giving credit to the Hatt and Smith collections for inspiring his short story, "Blind MacNair".


May 16, 1975

Miss Edith Fowke,
5 Notley Place,
Toronto, Ontario
M4B 2M7


Dear Miss Fowke:
     I have never deliberately collected chanteys and
other songs of sailors, but I was interested in them from the
time I went to sea at fifteen in small steamships out of Halifax
and Sydney, N.S. In the forecastles I found a number of veteran
windjammer men who had "gone into steam". In convivial moments
they sang their favourite chanties and ballads, and some I learned
to sing along with them, usually in some small gathering place
ashore.

When I became a writer of short stories later on, I came across
Roy Mackenzie's "Ballads and Sea Songs from Nova Scotia",1 and
recognised some that I'd heard before. In talks with William
Smith, the last of the windjammer veterans here in Liverpool, I
heard him sing many more. I persuaded his son, T. Brenton Smith,
to take down his father's memoirs on the typewriter. They include
a collection of chanties, songs, and bits of songs, and they are
now in the Public Archives of Nova Scotia at Halifax, N.S. Brenton
Smith gave me a carbon copy of the chanties and songs, and it is
now in the collection of my papers in Dalhousie University Lib-
rary, with some pencilled annotations of my own.

From talks with William Smith and other old sailors I knew that
in port from time to time there were singing contests between
favourite chantymen, and eventually here in Liverpool I found a
small treasure. In the 1880's a former sea captain named Fenwick
Hatt founded a small ship-refitting business here, and of course
it included a forge. Long after the captain was dead and the firm
was out of business, his son George told me about such a contest
in the forge, and showed me a notebook kept by his father in which
the chanties and ballads were written down at the time. The hand-
writing showed that many of the songs were inscribed in the book
by the singers themselves, some of them barely literate. Mr. Hatt
would not part with it but he allowed me to make a typewritten
copy
, which is now among my papers in the Dalhousie Library.2

The original notebook is now in the possession of a descendant of
Fenwick Hatt who spends the summers here and the winters in
Arizona. She is Mrs. G. Cecil Day, 10 Waterloo, Street, Liverpool, N.S.

      The accidental conjunction of some of the songs in the Smith
and Hatt collections, notably "The Blind Sailor" and "The Bounty
Jumper", suggested my story "Blind MacNair".
Sincerely,

T.H.R.











Annotations

1. William Roy Mackenzie, Ballads and Sea Songs from Nova Scotia (Cambridge: Harvard UP, 1928).

2. Both collections are now published as Sea Songs and Ballads From 19th Century Nova Scotia: The William H. Smith and Fenwick Hatt Manuscripts (New York: Folklorica, 1981), edited by Edith F. Fowke.